tag:blogger.com,1999:blog-319147054730726372.post4498495656332802903..comments2023-09-17T18:15:56.324-07:00Comments on The Thousandth Time: Relativity and Baroque MusicMollyhttp://www.blogger.com/profile/07922256237670687588noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-319147054730726372.post-82410337881581603122011-02-13T11:19:31.396-08:002011-02-13T11:19:31.396-08:00Oh!! Until you pointed that out, I thought, proudl...Oh!! Until you pointed that out, I thought, proudly, that I was expanding the horizons of my musical appreciation. . .and now I find myself thwarted by an errant flight of crunluaths! Seriously, though, with that constant return to the grace notes in the low (I s'pose flutists don't technically have a low) hand, it *is* quite similar--and similarly satisfying.Mollyhttps://www.blogger.com/profile/07922256237670687588noreply@blogger.comtag:blogger.com,1999:blog-319147054730726372.post-90059447433589381102011-02-13T10:18:08.781-08:002011-02-13T10:18:08.781-08:00This is a really great post! I had no idea Einstei...This is a really great post! I had no idea Einstein was musical. I always thought he was extremely intelligent, and, therefore, absentminded. I really enjoyed the video of Mario Caroli playing "Folies d'Espagne". It is a really beautiful tune, but what impressed me the most, were the piper-like embellishments at the beginning and end of the tune. I had no idea you could make doublings like that on a modern, keyed flute. I believe I shall have to make a point of practicing the instrument again.Mariahttps://www.blogger.com/profile/01964414879391231034noreply@blogger.com